Matthieu Fraticelli

Auditory peregrinations, from sound engineering to cognitive science.

My interests revolve around the realms of sound engineering and cognitive science. I take great pleasure in creating soundworks in post-production for various film projects. Simultaneously, I'm drawn to the intricate field of cognitive science, particularly focusing on auditory perception, trying to unravel the secrets behind how we perceive and process sound.

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Sound post production

At the crossroads of technical and artistic aspects, I'm passionate about the collaboration between narration and sound. Mixing is the final stage in the post-production of a film. It involves taking all the sounds that make up the film - the dialogue, the sound editing, the music, the sound effects - and creating a soundtrack that matches the aesthetics. The aim is to bring together the different sounds in the film in the most appropriate way. To work with each of them to create their place in the soundtrack, to create a unique sonic universe.

Filmography

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Research and auditory cognition

How do we perceive the sounds that surround us? After experimenting with sound by creating it for the cinema, I became interested in its perception. How we listen to our sound environment, how the brain makes sense of complex scenes, what mechanisms underlie our auditory perception, what links it has with our emotions and our cognition in general.

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